Hans Dudldee

Hans is the son of a poor fisherman who sets off into the world to find his fortune. He was the star of the show we recently built and performed. P1060836 web 544P1060801 web 200

All Hans knows how to do is fish, which he finds a bit disheartening because, well, how’s he ever going to earn a living at it?  And how is fishing going to help him break the enchantment he stumbles across?centaur hans web 05

In the story of Hans Dudldee, young Hans is able to succeed because he starts from where he’s at and he asks for help when he needs it.  The Flying Box Theatre certainly could not have succeeded in creating our version of Hans Dudldee without asking for help!  So hoorah! for Hans and three cheers for these magical creatures who worked on our show:

Bruno Afonseca, Maira Chiodi, Lorna Craig, David di Giovanni, Evelyn Giron, Jeremy Gordaneer, Matt James, Meghan Lands, Lydia Lorrain, Rae Maitland, Clea Minaker, Tati Mitre, Hannah Morrow, Darlene Orr, Marie Julie Peters-Desteract, Filip Pietruszewski, Stephen Quinlan, Cathy Stubington, Japhy Sullivan, and Bernardo Torres.

A very heartfelt thank you from Debbie, Jesse and Chantale to all of you. (Please forgive us if we missed anyone in a puppet building-and-rehearsing fog! )

You can help too!  Where should we perform our show this June, near Montréal?  Email us at flyingboxtheatre at gmail.com if you have suggestions, questions, or comments.

 

 

 

We made a show !

The Flying Box Theatre has been offline for a few weeks because we were preoccupied with preparing for two performances that took place on March 7th and 8th 2015.  The shows were a great success!  Thanks in large part to the volunteers and collaborators who worked with us–and to them we are so grateful.hans dudldee at OUF festival

One of those is Ms. Evelyn Giron, freelance designer extraordinaire, who created the beautiful painted design that graces our puppet theatre.  She also helped us make our stage floor more sturdy and portable, as well as giving us feedback on our show before opening day…come to think of it we couldn’t have done the show without her!

We asked her to incorporate the names of the people who contributed to last summer’s fundraising campaign into the painted design, and you can see an example of how she did it below.  We love how detailed the pattern is–and we know how many different hands and how many hours it took to achieve.  Not to mention how much problem solving and creative solutions! Thank you Evelyn!

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As 2014 comes to a close…

The Flying Box Theatre has a few updates to share:

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  • We have moved into a shared studio space, as pictured above.  So very exciting to be out of our small apartments and surrounded by inspiring fellows like Egotrip Productions and Rickie Lea Owens, among others.
  • We’re able to rent this studio because we’re taking part in the program Jeunes Volontaires for the next year… a year of puppetry and storytelling, on the government dole!  Quebeckers under 30, artist or not, should be aware that this program exists.
  • We have been following up our crowd-funding campaign by giving original prints by Jesse to donors, and we realize we also promised a little bit of audio as a reward, so…
  • We are making a radio episode!  For this first-ever-audio-creation we have interviewed Erika Eichenseer, the wonderful teacher, folklorist, and occasional librettist who we mentioned in a previous post.  We’ve also talked to puppeteer, illustrator, animator and activist Alma Sheppard-Matsuo, who is embarking on the creation of an illustrated anthology of radical fairytales.  Stay tuned for our first foray into radio in 2015.
  • Over the next few months we will be hiding out in our new studio, preparing to emerge in the (early) spring with a new puppet show at the Centaur Theatre Children’s Series on Saturday March 7th 2015.  Save the date!

 

Building The Girl Giant

A long time ago, when Deborah I and began planning how we would bring the tales from the Schönwerth collection to life, we decided to work with a simple string puppet design that we describe as a rod marionette.  The image below is an example of a rod marionette in Janie Geiser’s work, an American puppeteer filmmaker and scholar that we’re inspired by. inspiration geiser

As we set out to adapt these old European stories we wanted to learn from traditional puppet forms, hopeful to discover something fundamental about puppetry and storytelling by hunting around in the traditions. Early in our process we also talked a lot about the fine pair that our imagined puppets would make with fairytale characters: the puppets’ non-naturalistic movement & their ability to perform time-worn tricks and stunts would fit well with the familiar heroines and villains, who, in these stories, are never fleshed out with motivations or inner lives.

The design and building of the Girl Giant rod marionette for our first show was a team effort. The book Marionette Magic, co-authored by Cathy Stubington of Runaway Moon Theatre (another big influence on our work), was an indispensable resource. girl giant mess

I used plans from this book to create the jointed body of the Girl Giant puppet.  In the midst of our…ahem… quite rushed process our skilled stop-motion animator friend Lydia Lorrain stopped by Flying Box Theatre workshop (aka Deborah’s kitchen) to build the puppet’s head and hands. You can see some of Lydia’s beautiful stop-motion work here.

Next, I assembled the puppet, mostly using string and eye-hooks at the joints.  

Finally, in an example of the Flying Box design collaboration that we are developing, Deborah fleshed out the body of the puppet and made its costume. 

Girl giant asseblyGG at CC title

Above right is a video still of Stephen Quinlan, myself and Deborah Sullivan beginning the first ever performance of the story The Girl Giant and the Farmer.

With very limited rehearsal time before that show, all three of us had to figure out very quickly how to best make our puppets move–or in Deborah’s case how to play the accordion, learning songs newly written by Japhy Sullivan!

Luckily for me the Girl Giant cooperated well, and I managed to perform her bouncing, leg swinging walk during last Saturday’s performance at Café Concret/Festival Phénomena.  The audience even chuckled a bit when they saw it, which I’m taking as a good sign!gg-walk